I watched The Sound of Music the other day to get myself out of the grumps. This is a movie that I probably could act out for you, all the parts, because of how many times I saw it in my petite bebe years. Before last week I don’t know when I have seen it as an adult though, and it is BREAKING NEWS kind of a great movie. Let’s combat my grumps by talking about my Sound of Music thoughts, pot pourri style, shall we?
First of all, I have beef with the name. Sound. Of. Music. Ok, sure. There is sound. That sound is often music. But Rodgers, Hammerstein, honeys, come on. Could we have picked a more boring name? We have so much to work with here. Let me suggest. Sing and Run, Because Hitler. Whatsa Haps, Von Trapps. Nuns vs Nazis. There are a million options.
As the movie opens, we find Maria the nun twirling on a mountaintop in that iconic first shot. Or, as my mom said as we watched it together: “Woo! Here we go, Maria’s being weird!” Turns out the thing that I never realized as a child is that Maria is a straight up weirdo! Like, she is ODD. Just running around enjoying her twirly skirt on a mountain, talkinbout larks learning to pray. Uh, ok, girl. You do you.
Turns out Maria is late for bell-ringing time at the convent, and no one can find her. Instead of being alarmed (I guess she goes missing a lot, so NBD) these nuns start singing a song about how they think she’s a frigging nightmare. MEAN GIRLS IN THE NUNNERY. They call her a headache, a pest, a flibertyjibbet (which, if you ask Snoop Dogg, def means something not great), and a DEMON. These nuns! Horrible. Don’t believe me? They bring this song back on MARIA’S WEDDING DAY Y’ALL. She is walking down the aisle to “How do you solve a problem like Maria?” You get her married up, that’s how you solve it, apparently. Her problem was lack of government-church-sanctioned sex partnership, which makes people prone to mountain twirling. PUT A RING ON IT TO STOP THAT SHIT STAT.
Speaking of which, the President of the Nuns tells Maria she has to go be a nanny, and Maria responds by singing her guts out on the bus ride there. She arrives and meets Captain Von Hotness, who has this whole dom thing going on with a weird whistle and stuff. The kids are mildly terrible, but not really that terrible (those former nannies must have been severe milquetoast ladies), and before you know it they are singing about their Favorite Things together, one of which, weirdly, is doorbells.
But first! Liesel the teen goes out to the makeout gazebo to meet Rolfe, who is CLEARLY ICKY. They sing a song to each other about how he is going to mansplain his way into her knickers but he spends so much time mansplaining that nothing happens. Good! Get away from him, Liesel, you in danger, girl.
Maria then makes clothes out of the curtains in her bedroom, which, IDK, it seems like one would get permission from one’s employer before doing that, and they all run around Salzburg learning to sing. When they return the Captain is there with Uncle Max and his gf the Baroness. I BECAME KIND OF IN LOVE WITH THAT BARONESS. I mean, she was fabu. The problem is that she is not traditionally maternal though and therefore, in the Musicals Rule Book, we know she is doomed. Although I am absolutely sure, dollars to donuts, that the Baroness would tell Liesel straight up to get the hellfire away from Rolfe. The Baroness ain’t playing that shit, it’s obvs.
The Captain gets mad that Maria has taken the kids out on the town in curtains, which actually seems kind of reasonable in terms of being mad, and fires Maria. The kids sing a song and melt his heart and he unfires her. THAT WAS AN EVENTFUL FIVE MINUTES.
Max is a sort of Simon Cowell type person I guess and he wants the kids to sing for dollar bills. Then he says that, in this time of the rise of the Nazis, the most important thing is to get along with everybody, and Captain Von Hotness is like “I DON’T EVEN KNOW YOU SOMETIMES MAX” with an anti-Nazi steel stare and OH SNAP THIS MOVIE JUST BECAME ABOUT CURRENTLY NOW, THAT’S WEIRD. Think about that, for a quick second, you folks out there that are peddling the idea that empathy with people who suffer from the racisms (AKA ECONOMIC ANXIETY POTATO POTAHTO) is the answer. I stand with Captain Von Hotness on this one. SORRY MY GRUMPS ARE COMING BACK, MOVING ON.
Then they do this really long puppet show about goats, because why? I do not know. Like, what was that whole thing for? To release the pressure from the Nazi talk, I guess.
Then the Baroness is like “Hey Maria, you and my dude are kind of feeling each other, I can tell,” which you may think is a bitch move but to that I say WHERE IS THE LIE. Maria is like “oh my goodness, the only thing left to do is GHOST THIS JOINT” which she does.
The kids sing sad songs and try to play ball with the Baroness but they don’t even throw the ball straight so she can catch it and then have the nerve to roll their eyes at her. You don’t have to chase that dang ball, Baroness. I would wife you even if the Captain won’t. And, turns out, he won’t.
Maria goes back to the nunnery and tells the President of the Nuns why she peaced out. President Nun is like: wait, you did this because you were afraid he would get up in your twirly skirt? And Maria is like, yes. And then Pres Nun sings “Climb Every Mountain,” which WHOA. CLIMB EVERY CAPTAIN IS BASICALLY WHAT SHE IS SAYING, MARIA. That song is about seizing the day, even if the day equals Captain Von Hotness. SEIZE IT.
Maria shows back up and she meets the Captain in the same makeout gazebo that Liesel and Rolfe used. Ew. Get a different makeout gazebo, mom and dad. They actually do makeout unlike the kiddos, except Maria keeps talking about the President Nun, to the point where the Captain says, while he is kissing Maria, “WHAT ELSE DOES THE REVEREND MOTHER SAY?” You guys, he says it right into her mouth. That is some freaky deaky shit right there. Climb every mountain, tho.
They get married and then the Nazis come for the Captain and he is like IMA RIP THIS NAZI FLAG, and Liesel asks Maria for advice on why come Rolf doesn’t want her any more and Maria is like, don’t worry, you are still young, more fish in the sea, etc. Instead of HE IS A NAZI which really should be the only message.”Lo and behold you’re someone’s wife, and you belong to him” is a line that Maria also sings here. I just ask you, would the Baroness being peddling that tripe? Nope.
They get out of town, partly, but then go to Salzburg Idol as a diversion. They sing a medley and win the competition but choose to escape instead, which, good choice. They hide at the nunnery where the Captain confronts Rolf who remains horrible, and then they make it to the mountains. I assume the same mountains we started with. No more twirling, the mountains are for resistance now.
That helped me ungrump a little.